Twenty years ago, percussionist Dave Watts, of the Motet, wouldn’t have believed that he would one day be a member of a trio exploring the sounds of late-’70s, early-’80s electro-funk. “Once the ’80s ...

Can we as a culture at last retire the idea that a movie can be so “bad” that it’s good? I ask this still pleasurably punch-drunk by Miami Connection, a rediscovered junkster piece of uncut ’80s ...

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