Add Yahoo as a preferred source to see more of our stories on Google. Jean-Luc Godard, who died Tuesday at 91, was the filmmaker who changed everything. He directed “Breathless,” the 1960 landmark ...

Jean-Luc Godard was not a fan of conventional scripts. In line with his avant-garde methods, the French director resisted detailed write-ups and meticulous planning, preferring to hastily draft ...

"Breathless" producer Georges de Beauregard's estate is selling the previously unseen partial draft of Godard’s feature debut script. The only known (and previously unseen) handwritten partial ...

If you’re a fan of Jean-Luc Godard’s “Breathless” (and how could you not be if you’re reading this blog), check out the new trailer (below) created for the film’s 50th anniversary release by Rialto ...

Add Yahoo as a preferred source to see more of our stories on Google. In “Nouvelle Vague,” Richard Linklater’s ingenious and enchanting docudrama about the making of “Breathless,” the 29-year-old Jean ...

Jean-Luc Godard, the director behind French nouvelle vague classics including 1960 movie Breathless, has died. The French-Swiss filmmaker was 91. His death was announced by French newspaper Libération ...

In 1983, Jim McBride attempted an English-language remake of Jean-Luc Godard‘s 1959 cinema landmark, Breathless with Richard Gere. It broke one of Godard’s cardinal rules: It was in color. Although ...

From the youthful New Wave excitement of “Breathless” to the experimental works of his old age, Godard changed cinema. By Noel Murray Jean-Luc Godard has died at 91. One of the pioneers of the French ...

Nouvelle Vague is being called Richard Linklater's "love letter to cinema" for his reverence of the French New Wave films that still inspire him today, and for its recreation of Jean-Luc Godard's ...

Adam Grinwald is a Feature Writer at Collider with a lifelong passion for cinema, literature, music, and culture. From the early days of memorizing practically every single line of dialogue off a ...

So he did something that no previous filmmaker had, something akin to the way James Joyce took the back channels and byways of the human mind and put them right onto the page. Godard’s characters ...