In this edition of ‘T’ for Texas Tuesday, we will highlight a Texas blues legend who, like most blues musicians, was never given his due until he had already passed away. In an effort to, just maybe, ...
Lightnin’ Hopkins embodied the blues. His singing, guitar playing, his physical appearance, personality, and demeanor, were the blues. One of the most recognizable bluesmen to come out of Texas, ...
Did you know that Paste owns the world’s largest collection of live music recordings? It’s true! And what’s even crazier, it’s all free—hundreds of thousands of exclusive songs, concerts and videos ...
Lightnin' Hopkins, the late legendary Houston blues musician, has been awarded a historical marker by the Texas Historical Commission. The marker will likely be placed this fall at the corner of ...
texasmonthly.com: You have previously said the best thing in the music world to come out of Texas is the “rural blues, gospel, and folk music that came out of East Texas from guys like Lightnin’ ...
You don’t get the nickname “Lightnin’” for no reason, especially when you’re a blues artist. Born March 15, 1912, in Centerville, Texas, Samuel John “Lightnin’” Hopkins became one of the most ...
Houston's best-known blues musician, Lightnin' Hopkins, plays the local Sputnik Bar in 1961. Credit: Photo by Paul Oliver/Courtesy of Texas A&M University Press To understand this story, you must ...
The track, “Blues Jumped a Rabbit,” is out this week as part of the new Mack McCormick archive three-box set of 66 songs featuring Hopkins. The project is set for release this summer on August 4. The ...
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Two years ago, local producer Mike Snow came upon an article that quoted Beatles drummer Ringo Starr saying he'd love to move to Houston, because a blues musician called Sam "Lightnin' " Hopkins lived ...
Country, big band, R&B, blues and pop music all find their way into "Battleground Korea: Songs and Sounds of America's Forgotten War," a new anthology of music and spoken-word recordings from the ...
Texas blues singer/guitarist Sam "Lightnin'' Hopkins could lay claim to the authentic blues, having worked in the cotton fields for years. He turned electric in the 1950s, and toggled between acoustic ...
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