Inspired by the folk tale ‘The King’s Ears Are Donkey Ears’, Jun Hyoung San’s exclusive disjunctions#2; Whispering of the ...

Swamps & Stars was a series of events by artists and researchers from Berlin and other cities that explored ‘the vibrations between swampy spaces and the cosmos’. These events were sound-based, ...

The MIT Press, ISBN 978- 0262545075, English, 368 pages, 2022, USA What if we could finally realise that sound is more important to humans than sight? We might begin to think that the whole Western ...

The MIT Press, ISBN 978-0262546836, English, 288 pages, 2023, USA ‘The distinction between image capture and image creation is now increasingly blurred’, writes Joanna Zylinska in the introduction to ...

Verso, ISBN 978-1839764554, English, 236 pages, 2023, UK There is an economic model that we see as irreversible, celebrated above all by American corporations: the ‘single-entrepreneur heroism’ with a ...

Atropos Press, ISBN 978-1737559146 , English, 212 pages, 2024, Germany We live in a historical moment in which machines, through their algorithms, have acquired the ability to generate infinite ...

The MIT Press, ISBN 978-0262044936, English, 344 pages, 2023, USA The liberating spirit of DIY (Do It Yourself) is certainly not new, neither in culture nor in art, but it has been interpreted and, ...

Set Margins, ISBN 978-9083350189, English, 136 pages, 2024, The Netherlands ‘Female bodies and technologies have an ambiguous relationship’, writes Morgane Billuart in her new book Cycles, the Sacred ...

The meeting between Érick d’Orion and Martin Tétreault has given rise to a collaboration that unites two distinct but complementary approaches, developed over a long period of militancy in ...

The Neural Archive is a repository of publications collected by us during the years. Browse our collection here. Your browser does not support iframes.

Sternberg Press, ISBN 978-1915609632, English, 88 pages, 2025, UK The Contemporary Condition book series explores the aesthetics and politics of ecosystems and the networked image as a ‘relational ...