How to paint like Monet: Part 3 - Step-by-step Impressionist landscape painting

Color is the primary register upon which Bull’s paintings attain aesthetic immediacy with the viewer, and is where she is most deft. Her sense of color derives not from life but from the possibilities of her paint, from color divorced from objecthood, reminiscent of the palettes of Impressionism and Fauvism. Bull has created an alphabet of marks from the gestural possibilities of her instruments. The marks and forms are organic. They never articulate straight lines, for that would yoke Bull’s au